There’s also a load / purge switch for each articulation, pan, volume, mute / solo, and output selector. In the mixer section, you can adjust the eight microphones for kick, snare, toms, hi-hat, overheads (stereo pair), and room (stereo pair). There are two snares to choose from (WFL Buddy Rich and Ludwig Super Sensitive), two kick beaters (Plastic and Felt), and two ride cymbals (Constantinople and Avedis). With the dedicated menu, you can control volume, pan, and pitch. The main section offers a full view of the drum kit in sparkly detail. VQ Drums features six velocity layers, six round robin, and six samples per articulation (all samples normalized to 0 dB and 128 volume steps). Wavesfactory’s VQ Drums is a Kontakt instrument – specifically, a vintage 1964 Ludwig Hollywood drum kit recorded in a wooden environment. There are certainly some competitors to Addictive Drums 2, but there’s nothing exactly like it, so it’s a no brainer for our best premium selection. It sounds great, and it’s full of all kinds of features that allow you to shape the sounds of your beats too. Addictive Drums 2 even comes with a ton of fills to choose from.Īddictive Drums 2 is indeed addicting, and it’s a powerful tool to have at your disposal for creating any kind of drumbeat. They offer a great starting point for building any kind of beat, and of course, they can be used as is too. And the presets all sound great out of the box. The preset browser lets you filter your options from genre category, tempo, and even time signature based on the kind of beat you need. It includes mixing and sound-shaping features, drag and drop audio and MIDI, rapid linking and layering, kit piece swapping, MIDI library (5,000 beats), specialty “Trig” sounds, and more. With Addictive Drums 2, you can take advantage of the 130 professionally designed presets or create a custom kit from scratch. Plus, you get to choose the content you want most – drum kits, kit pieces, and MIDI beats based on your preferences and what you think you might need for your next project. This collection gives you access to 10 ADpaks (kits), 10 MIDIpaks (beats), 10 Kitpiece Paks (single drums), and of course, the Addictive Drums 2 engine. You’re not going to find a guide like this that doesn’t mention Addictive Drums, and for good reason – this is a phenomenal plugin!īut the Addictive Drums 2: Custom XXL Collection gives you maximum versatility and customizability. You get total control over the mix of the kit, the sequence, the effects, and more. There are countless articulations for cymbals, toms, and anything else you can name. There are both processed and unprocessed sounds, depending on how mix ready you want your kit to be. Yes, BFD3 is just as powerful as it sounds. In total, BFD3 comes with seven new kits (rock, metal, jazz, and brush), tom resonance / cymbal swell modeling, new browser and workflow, improved audio engine, extendable interface, new effects including algorithmic reverb and DCAM EnvShaper, mix-ready presets, editable groove engine, rudiments tool, and grooves created by the likes of Steve Ferrone, Bobby Jarzombek, Brooks Wackerman, and more. External signals can be used as a compression sidechain source too. There’s also a mixing engine with DCAM-modeled compression, filter, and additional effects, not to mention EQ and algorithmic reverbs. These were recorded at Omega Studios in Rockville, Maryland. The other three kits are stick, brush, and mallet iterations of a custom Mapleworks kit. Rim-clicks and rimshots for toms, bells and splashes for hi-hats, modeled tom resonance and bleed… it’s all here.įour of the kits were recorded at Ocean Studios in LA and come with mono room and hardware compressed channels and stereo overhead and room mics. You can also create and edit patterns right inside the built-in Groove section, which comes with many session drummer performances.īFD3 comes with a stunning amount of detail, with up to 80 velocity layers. In addition to a redesigned engine, BFD3 comes with plenty of new kits, mix-ready presets, modeling technology for tom resonance and cymbal swells, a revised interface with a new mixer and sound browser, and an all-new BFD3 library, recorded by the likes of John Emrich, Andrew Scheps, and Rail Jon Rogut. Not at all.īDF3, of course, is the third generation of the organic and realistic sounding software acoustic drum studio that put their name on the map in the first place.ĭeadmau5 said “BFD sounds good,” Andrew Scheps thought it was the best way to get a natural sounding drum performance when you don’t have access to a great drummer, and Simon Franglen felt the latest version was a huge step forward. It may not command the weight it used to, because a lot of great, new solutions have popped up in recent years, but that doesn’t mean it’s lost its stride. If you know anything about drum VST plugins, then you’ve certainly heard the name BFD.
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